艾祺
英国诺丁汉大学电影电视研究博士，新闻传播学院传播学重点资助博士后，诺丁汉大学国际传播学院访问学者，媒体、传播和文化研究协会(MeCCSA)会员、英国电影电视银幕研究协会(BAFTSS)会员和亚洲电影研究协会(ACSS)会员，山东电影家协会会员、山东电视家协会会员。
研究领域：新媒体与文化研究、媒介社会学、电影电视研究
学术兼职：
Media Culture & Society (SSCI)、East Asian Journal of Popular Culture等期刊审稿人；
2021-2023年度QS世界大学排名全球学者调查参与者；
论文发表：
1. Qi Ai. “The Offline Maintenance of the FIRST International Film Festival under COVID-19: Institutional Adjustments and Participants’ Response”, Historical Journal of Film, Radio and Television, 2024 (accepted), A&HCI 期刊, 独作
2. Qi Ai and Yuchen Song. “Queers Uploaders on Douyin: Traffic Chasing, Identity Expression, and Media Regulation”, Feminist Media Studies, 2024 (online first), SSCI 期刊, 第一作者
3. Qi Ai and Xiaofeng Yu. “Why The Knockout (2023) Became a Phenomenal Hit: a Contextual Analysis and Interview with the Screenwriter Zhu Junyi”, Journal of Screenwriting, 2024, A&HCI 期刊, 第一作者
4. Qi Ai. “New Year Films in Spring Festival: Documenting and Reviewing Life”, IAMHIST (International Association for Media and History), 2023, 独作
5. Qi Ai, Yuchen Song and Ning Zhan. “Creative Compliance and Selective Visibility: How Chinese Queer Uploaders Performing Identities on the Douyin Platform”, Media, Culture & Society, 2023, SSCI 期刊, 第一作者
6. Qi Ai. “Barrier-free Film Screening in China: Awareness, Practice and Suggestions”, Disability & Society, 2023, SSCI 期刊, 独作
7. Qi Ai and Liao Zhang. “The FIRST International Film Festival and Its Operation under the COVID-19 Pandemic: An Interview with Wen Song and Yinglong Tong”, Transnational Screens, 2023, ESCI 期刊, 第一作者
8. Qi Ai. “Zhang Ce: Small-Town Youth Auteur Celebrity”, Celebrity Studies, 2024 (accepted), SSCI期刊, 独作
9. Qi Ai and Yinan Dong. “Product Placement in Chinese Cinema: from Resistance to Acceptation (1999-2009)”, Journal of Macromarketing, 2023, SSCI 期刊, 第一作者
10. Qi Ai. “A Report on FIRST International Film Festival and An Interview with Young Filmmakers”, Asian Cinema, ESCI期刊, 独作
11. Qi Ai. “Feng Xiaogang’s New Year Celebration Films and the Government-led Commercialisation of the Chinese Film Industry.” Asia Dialogue, 2019, 独作
12. Qi Ai. “Review of Christina Maags and Marina Svensson (ed.), Chinese Heritage in the Making: Experiences, Negotiations and Contestations”, International Journal of Heritage Studies, SSCI 期刊, 独作
13. Qi Ai. “Mainland New Year Film: from Genre to Cinema Season, 1997-2004.” In Chinese Film in the 21st Century: Movements, Genres, Intermedia, (eds.) Corey Schultz and Cecilia Mello. Routledge: London, 2023, 独作
14. Qi Ai. “Big Shot’s Funeral: Sino-foreign Collaboration and Industrial Commercialisation.” In Chinese Cinema: Identity, Power, and Globalization, (eds). Jeff Kyong-Mcclain, Jingjing Chang and Russell Meeuf. Hong Kong University Press: Hong Kong, 2022, 独作
专著：
1. Qi Ai. “Feng Xiaogang’s New Year Films: Industry, Regulation, Humour and Authorship.” (under contract). Amsterdam University Press.
2. Qi Ai. “History of Chinese Opera Cinema.” (under contract). Palgrave Macmillan.
主持项目：
1. 山东省博士后创新项目（二等）
2. 诺丁汉全球访问学者计划项目
主讲课程：影视文化传播、视觉符号与文化批判（Visual Symbol and Cultural Critique）（英语）等
国际会议论文发表共17篇，2023年作为特邀嘉宾于诺丁汉大学做主旨演讲 “Mainland New Year Films: From Genre to Cinema Season, 1997-2004”
邮箱：Qi.Ai@outlook.com
